Starting from a familiar environment, ‘To washing machines’ plays on the oppositions between interior and exterior, safe and dangerous, domestic and dreamy, reality and image, trying to cross or confuse borders in a time where the outside and the other are depicted as unsafe, or threatening. To what extent can we change the beliefs that were allocated for us, and how can we undermine our certainties, suspend our reality? How can we transform a familiar space into a space for generative transgression? How do we transgress in our smallest gestures?